Bio
Josette Candelaria is a Senior at Manhattan School of Music, majoring in Musical Theatre, studying with Samuel McKelton. She originates from sunny San Diego, California, where she got her first taste of professional work at The Old Globe in 2017 in How the Grinch Stole Christmas. To stay active in the year 2020, she was a member of the La Jolla Playhouse’s Teen Council.
A proud alumnus of San Diego School of Creative and Performing Arts, Josette graduated alongside her Musical Theatre cohort in 2023. In that same year, she was delighted to continue her path by being accepted into the Manhattan School of Music Conservatory for Musical Theatre, where she plans to graduate in 2027.
Regional Theatre: How the Grinch Stole Christmas (Annie Who). MSM Productions: Pippin (Fastrada), Into the Woods (Florinda), The Pajama Game (Gladys U.S.), Freshman Pops (Ensemble). MSM Disney Theatricals: Frozen (Queen Iduna, Ensemble), Newsies (Medda Larkin). MSM Lab Series: Good Luck in Space (Lieutenant Mary Brewster, U.S. Doctor Hurst). @josettecandelaria
Driven by authenticity
For me, Musical theatre is a therapeutic outlet. The amount of work I put in will serve me through failures, time and time again. In this art, I am free to explore my identity as it melds through characters. So far during my time at MSM, that work has most recently been represented through very expressive characters, such as Florinda in Into the Woods and Fastrada in Pippin. Not only do these characters allow me to reflect on who I am as an artist, but as a living, breathing, and most importantly, flawed, individual. My closest friends say that my personality is bubbly, spontaneous, and energetic, a vivacious connection I share with my previously mentioned characters. Yet, I crave the depth underneath all of the masking, for instance, a character like Dawn from Waitress, with a fear of the unknown ultimately prohibiting her from experiencing life.
Experiencing life in all of its colors is the art I gravitate to, a sort of exposé to deeply personal, internalized emotions, but a love letter to accessing them playfully. Through experience, I hope to take away characteristics